martes, 16 de junio de 2009

Sidney Hide park

Sidney Hide park
Cargado originalmente por FFMENDOZA -AUSTRALIA
Sidney Hide park

Recorridos/ Sydney centro
Evening at

Catedral y fuente de Hyde Park
Sidney- Australia: .
Cathedral from Hyde Park - Australia.

Hyde Park: History

Hyde Park takes its name from a park in London. Hyde Park in London is one of the largest parks in Central London.

Hyde Park began as the city’s first race course and later functioned as a cricket ground for a brief period.

Hyde Park: Features

The most identifiable feature of Hyde Park is the grand Archibald Fountain. The monument was inaugurated in 1932 as a tribute to those Australian soldiers who lost their lives during the Great War in France. Archibald Fountain is regarded as one of the finest public fountains in Australia.

Archibald Fountain
From Wikipedia, the free encyclopedia
Archibald Fountain, Hyde Park, Sydney

The Archibald Fountain, properly called the J.F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales. It is named after J.F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He imagined its civic design and ornamentation developing to rival his dream city Paris. The artist chosen was Francois Sicard.

The fountain was unveiled on 14 March 1932 by the Lord Mayor of Sydney, Samuel Walder.
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote:" Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.

The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.

At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.

The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night."

It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."

Interestingly, Sicard quotes Pliny as one of the ancient Roman sources for the modern understanding of the qualities supposedly represented by the gods. Rather than merely using the visual examples of works such as those by Pheidias, the iconic sculptor of classical Athens, whose free standing and frieze statuary represent the acme of the classical depiction of the human form in larger-than life bronze or marble, Sicard used literary sources to explain the symbology behind the form.

His choice of classical figures was in keeping with the European tradition of the sculpture and architecture of the precinct of Hyde Park. There is no indication in the writings of Sicard, or indeed, in the appraisal of his work, that there was any intention to link the figures in the sculptural groups with any religious or sexual themes.

Over the years the Archibald Fountain has been a chosen spot for photos, buskers, political rallies and just as a meeting place. Park benches are provided nearby, making it a popular location for city workers at lunchtime.

An imposing stone structure of decorated geometrical Gothic design, with twin towers above its main southern entrance, rises along the northeastern side of Hyde Park in the heart of Sydney. This is one of the more notable and historic Sydney churches, a Sydney landmark.

St Mary's Cathedral, whose foundation stone was laid by Archbishop Bede Polding in 1868, rises from the site of the first Sydney cathedral built earlier in the century but which had gone up in flames in 1865.

It is the mother church of Australian Catholicism.

St Mary's Cathedral lies in an area bounded by Hyde Park and the underground St James station in the west, government buildings in the north, The Domain in the northeast and east, and Cathedral Rd and Phillip Park in the south.

In the heart of the city

Hyde Park, cut into two sections by Park St which leads east to Kings Cross, is almost certainly the very heart of the city of Sydney.

St Mary's Cathedral itself is almost completely surrounded by swards of green.

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